An Artist in Treason: The Extraordinary Double Life of General James Wilkinson by Andro Linklater
Author:Andro Linklater [Linklater, Andro]
Language: eng
Format: epub, mobi
ISBN: 9780802777713
Google: bFw4OjbdPdMC
Amazon: B005OHW1QU
Barnesnoble: B005OHW1QU
Goodreads: 6565372
Publisher: Walker & Company
Published: 2009-09-28T07:00:00+00:00
20
AGENT 13 REBORN
NEW ORLEANS WAS WHERE JAMES WILKINSON had first transferred his loyalties to Spain. Two years later, it was where he had returned to negotiate his transition from trader to Spanish agent. But despite the precedents, it could hardly have been imagined that he would behave there in the same way three times in a row. So much had changed since the 1780s. Even before the purchase of Louisiana, the balance of power in North America had clearly shifted from Spain to the United States. The Spanish Conspiracy was a distant memory. Most important, Wilkinson himself was in command of the U.S. army, the great prize for which he had cut off his original connection with Spain.
Nor did his public behavior suggest any secret agenda. Seen through the jaundiced eyes of Pierre de Laussat, he appeared as a loud buffoon. In a report to Paris, the French commissioner compared the performance of both Wilkinson and Claiborne unfavorably to his own suave efficiency and rated them below even the disorganized but self-possessed Spaniards:
“It was hardly possible that the Government of the United States should have a worse beginning, and that it should have sent two men more deficient in the proper requisites to conciliate the hearts of the Louisianians. The first, with estimable qualities as a private man, has little intellect, a good deal of awkwardness, and is extremely [inadequate to] the position in which he has been placed. The second, who has been long known here in the most unfavorable manner, is a rattle- headed fellow, full of odd fantasies. He is frequently drunk, and has committed a hundred inconsistent and impertinent acts. Neither the one nor the other understands one word of French, or Spanish. They have, on all occasions, and without the slightest circumspection, shocked the habits, the prejudices and the natural dispositions of the inhabitants of this country.”
The sort of incident Laussat had in mind occurred at a public ball on January 22, 1804, attended by American and French officers as well as New Orleans high society. Wilkinson noticed among the dancers in a quadrille a French official who had just returned from Saint Domingue and so should have been in quarantine for yellow fever. He plunged into the dancers and marched him off the floor. The French officers began to protest. Wilkinson jumped up on a bench and, with Claiborne standing loyally beside him, delivered a bombastic lecture on social responsibility in bad French and his own elaborate English. The French began to jeer, and their response provoked the general to launch into “Hail, Columbia,” the national anthem of the time, accompanied by Claiborne and members of their staffs. When this failed to silence the protests, Wilkinson inexplicably, unless to annoy the French, who had spent ten years at war with the British, decided to sing “God Save the King,” to which the French responded stridently with “La Marseillaise” amid a mounting storm of shouts and whistling. At that point, with scuffles breaking out and pandemonium descending, Wilkinson and Claiborne prudently abandoned the war of songs and withdrew.
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